Catch Up Reviews

2018, Uncategorized

I’ve missed a couple of months recently, and the truth is I’ve found it hard to find time to sit down and write reviews. There are a couple of reasons behind this. One of them is moving house. Apparently that’s quite stressful. The other one is my new job. The great thing is my new job allows me to do tons of writing, all film related, which is fantastic, and has for awhile obviously taken prominence. Not that I’ve stopped going to the cinema though, oh no. Now that I’m getting more of a balance back in my life I’m able to get  back to reviewing films. Yay! 

As I mentioned, I haven’t stopped going to the cinema. It felt like it would be a shame if my opinions on those films got lost to time, like tears in the rain. Yes, I do value my opinion that much. So I thought it would be a good idea to do a couple of mini reviews on the films I should have reviewed. Enjoy…

Ant-Man and The Wasp

Another enjoyable entry into the Marvel Cinematic Universe. The problem was it couldn’t help but feel a bit light weight after Infinity War. Meant as a palette cleanse, it all felt a little too disposable. I loved Evangeline Lily as The Wasp, but felt here arc was a little wasted, so much more could have been done. Funny in places, the jokes did start to feel repetitive, and there were lapses within the inner logic of the movie. 

6/10

The Predator 

Shane Black didn’t reinvent the wheel with this one. What he did do though was deliver everything you would want from a movie about an alien game hunter. It’s not a great movie, it’s not that well made. The editing is all of the place, and it doesn’t make a huge heap of sense. It is incredibly fun though. There are some great characters, stellar jokes, and gratuitous violence. All in all, a good time at the movies. 

7/10

First Man

This is not a film about the achievements of man. It does not bask in the glory of space travel. It’s much more personal than that. It’s a story about a man who had to travel to the moon so that he could come back home. It’s a study on grief, and the different ways humans deal with it. What surprised me was just how moving this film was. It owes a huge amount of debt to The Right Stuff, an influence on Christopher Nolan’s Interstellar, of which First Man shares a lot of DNA with. They would make a hell of a double bill together. 

8/10

Halloween 

Michael Myers is back. Again. Jamie Lee Curtis is back. Again. She’s dealing with PTSD after the events of the original movie, and he’s back trying to kill her. Again.  Yes, we’ve seen this before, but Halloween acts as a course correction for the series. Pretending that nothing past the first movie happened, this takes Halloween back to its roots. It’s brutal, scary, and fun. It’s not a perfect movie, but will reward fans of the series whilst serving as a great entry point for those new to the series. 

7/10

A Star Is Born

Filled with fantastic performances from Bradley Cooper and Lady Gaga, this remake of a remake is better than it had any right to be. It’s Coopers first film behind the camera, and he does a great job. The performance scenes are incredibly realistic, with the use of real venues and audiences paying off. The songs are great too, with Lady Gaga’s fantastic voice really selling the believability of the story. It’s poorly paced though, and could do with losing a good 30 minutes. I found it strange how little I was moved by the end of the film, which is a sure sign that something wasn’t quite working. 

6/10

Crazy Rich Asians 

I’m not a fan of romantic comedies. Generic. Boring. Fluff. I loved Crazy Rich Asians. It’s an incredibly well made comedy, with a likeable cast, and characters you can’t help but root for. This is all played against a spectacular backdrop, with an insight into a world and culture that was completely new to me. It’s charming, funny, and moving. I can’t recommend it highly enough. 

8/10

The Nun

I really like The Conjuring  movies. The movies focusing on The Warrens. The spin-offs so far have been a little underwhelming. The Nun is just the wrong side of boring.  It has one good jump scare which has been completely spoiled by the trailer. The lead actors a likeable enough, but there is such a whiff of unoriginality here. It’s all a bit The Exorcist, but without anything that makes that movie work. These films just end up so superficial, that they really aren’t about anything at all. I mean, you have a priest and a Nun in training and not once does anything here make them question their faith. It’s just characters going through the motion of the plot so they can get to the end of the film. 

4/10

The Meg

I wanted this to be so crazy bad I’m a way that makes the whole film ridiculous and fun. The film ends up being both bad and ridiculous,  but as if no one told the film makers that was the film they were making. Instead they try to make a serious movie which is part Jurassic Park, part Jaws. That’s not what people want from this movie. They want to see a giant fucking shark being punched in the face by Jason Statham. There was a point in the movie, probably the most serious, emotional conversation in the whole thing, and it was all I could do to not burst out laughing. It’s just awful. I was promised a movie where Jason Statham chases a giant shark across the high seas. It took an hour to set that up. It should have been a fun dumb movie. It ended up being dumb, boring, and bad. 

3/10

Venom

If Venom had come out in 2005 it would have been seen as the natural continuation of the Sam Raimi Spider-Man series. Lucky for us, we’ve had a decade of fantastic super-hero movies which have  really pushed the genre forward. It just seems like no one making Venom has seen any of those films. Tom Hardy is great, and the moments where Eddie Brock are bickering are great. The film excels when it unleashes it’s dark sense of humour. The action sequences are pretty well done too. It’s just a shame the film takes so long to get anywhere, and wastes its time with unnecessary sub plots which aren’t paid off. It’s by no means a bad film, and I left the cinema thinking I’d quite happily go and see a sequel, but there is plenty of work to be done. 

6/10

BlacKkKlansman

I loved this movie. It’s funny, suspenseful, emotional, and scary. Spike Lee sets his stall out early with Alec Baldwin playing a racist Doctor, creating a video about white supremacy. It’s clear the parallels Lee is trying to draw. The cast are all fantastic, in particular John David Washington in the lead role of Ron Stallworth. The film is both shocking and provocative, but also incredibly entertaining, but it does its job. When a racist cop is caught being misogynistic and racist on a wire tape, he is immediately fired, with someone declaring that the good old wire trick, it always works. You can’t help but think how the last guy got caught on tape didn’t get fired, he got elected president. 

9/10

Christopher Robin

A gentle, but affecting film. It starts off incredibly strong, and ends well, but the middle does drag an awful lot. I enjoyed the way the characters of Winnie The Pooh has been reimagined, and Ewan McGregor does a great job. It’s a film with its heart in the right place, it just has some serious pacing issues. It at times feels more like a nostalgia trip for grown ups rather than a children’s film, but it does include some quite childish moments, you can’t help but wonder who this film is actually meant for. There are moments in which the film clearly hints towards mental health, but then there are also sequences of Ewan McGregor playing with leaves in the woods. It’s all a bit disjointed. 

6/10

A Simple Favour

Pitched as Gone Girl with more laughs. This was supposed to be a more serious outing from comedy director Paul Feig. Sadly, this is very much a case of style over substance. It’s nowhere near intricately plotted enough. It’s reveals come across as damp squibs, and Anna Kendrick does her best to make the jokes land, but this film just isn’t clever enough. If it wasn’t for the starry cast, this would have been a TV movie, or a soap plot in the 90’s. As a mystery movie, it’s not interesting. As a thriller, it’s boring. It’s not funny enough to be called a comedy. It’s just all a bit bland. It needed to go deeper, to go darker to truly resonate. 

3/10

Well that’s it. I’m all up to date now, and hopefully should be back with more regular reviews. Please check out my latest review on The Nutcracker and The Four Realms

The Nutcracker And The Four Realms

2018, Uncategorized

Dir. Lasse Hallström and Joe Johnston 

Starring: Keira Knightley, Mackenzie Foy, Morgan Freeman, Helen Mirren, Matthew Macfayden, Richard E. Grant, Eugenio Derbez and Jayden Fowora-Knight

Based upon the book by Alexander Dumas, and the famous ballet. The Nutcracker and The Four Realms is Disney’s attempt  o launch a new family franchise. Arriving just in time for Christmas, and with a starry cast, it looked as if Disney could have another hit on their hands, but I’d hardly seen a trailer for the film going in, which is always a worrying sign. Then there’s the fact that there are two directors attached to this movie. Lasse Hallström and Joe Johnston. It’s reported that Hallström was in charge of principal photography, and Joe Johnston only stepped in when re-shoots were needed and Hallström was unavailable, nothing too unusual in that, but when this has occurred before the over director would get an executive producer credit, similar to what happened with Joss Whedon on Justice League and Tony Gilroy on Rouge One. Johnston getting a directors credit suggests that the film changed a lot during those reshoots. 

The film is set on Victorian London, with an emphasis on clockwork machinery, which is just shy of steam-punk. Here we find Clara, played by Mackenzie Foy, who is grieving the death of her mother. Her mother left her a small metal egg, an egg which is locked but Clara does not possess the key for. When her father, Matthew Macfayden, takes her to her Godfathers Christmas Eve party, Clara finds herself wondering into a brand new world. The world of the four realms, she discovers her mother used to be Queen of these realms, but since she has gone Mother Ginger, Helen Mirren, has broken ranks and is seeking to destroy the realms, and only Clara can stop her. 

To say that the film is uneven, is an understatement. There has clearly been an attempt to salvage the movie, which makes you wonder how bad the film was before Johnston got involved. It has spells which work well, and Mackenzie Foy does well in the lead role. It’s easy for child leads to come across as precocious and annoying, but she never falls into that territory. The visual effect work is all over the place, but when it pops the design is fantastic, and there has been a fantastic job done by the costume department. It all starts off promising enough, with a glorious sweeping shot of London at Christmas time, complete with skaters on the Thames, but soon goes rapidly downhill. 

The dialogue is awful. I know this is a movie aimed at kids, but you still have to make an effort. It’s all so exposition heavy, that the maxim show don’t tell has clearly been thrown out the window. Character development is told to you, and any jokes land with a hefty thud. There is a sequence halfway through, which pretty much derails the whole movie. This is a sequence which involves actual ballet. It sums up all of the films flaws in about 10 minutes, even though it feels like 30. It robs the film of all of its forward momentum. Keira Knightley’s Sugar Plum Fairy says “time works different here.” She’s not wrong. In attempting to explain the plot to Clara, we get a ballet, with intermittent comments by Knightley to explain it, intercut with flashes of the different realms, and followed up by a scene in which Keira Knightley explains everything again. It’s dull, slow, and is really obviously the result of too many studio notes, and trying to fix something that clearly isn’t working. 

There’s a lack of originality on display as well. The film feels like it’s lifted straight from The Chronicles of Narnia, I even wonder if some of the plot was based around what sets Disney had left from that venture. Bold choices have been made in the film, which is commendable, but they just don’t work. Keira Knightley puts on an instantly annoyingly high pitched voice as Sugar Plum Fairy, which makes her sound like Moaning Myrtle from the Harry Potter films. She really goes for it, but doesn’t have the energy or charisma to pull it off.  Not to mention some weirdly eyebrow-raising interactions between the Clara’s bereaved dad, and his two daughters, especially after one puts on his dead wife’s favourite dress. I also feel like the title is very misleading. It should have been called The Nutcracker and The Two Sets We Could Afford. 

This is a festive children’s film which fails to soar. It’s unevenly made, and despite the odd moment of magic, never really sucks you into the adventure. You end up feeling slightly cold by the end. Disney made a film earlier this year which had a similar story, with similar themes. Watch A Wrinkle In Time instead. 

3/10

The Spy Who Dumped Me

2018, Uncategorized

Dir. Susanna Fogel

Starring: Mila Kunis, Kate McKinnon, Justin Theroux, Sam Heughan, Hasan Minhaj, and Gillian Anderson.

The Spy Who Dumped Me is a spy caper with edge. Not afraid to lean into the more violent tropes of espionage movies, whilst also mining them for comedic gold. It doesn’t always hit its target, and it overstays its welcome by about twenty minutes, but once it gets into its flow, it has some fantastic belly-laughs, and a wicked feminist streak.

The film centres around Mila Kunis’ Audrey, a depressed thirty year old, who has just been dumped, by text, by her boyfriend Justin Theroux. She soon finds out that Theroux is actually an international spy, who has left her in possession of an item of great importance. So important, people will kill to get hold of it. This sets her and her best friend Morgan, played by Kate McKinnon off on a globe trotting trip in an effort to stay alive.

It’s a classic spy movie set up which leans into the tone of the Bourne and Mission Impossible franchise, the surprise here is how violent the film goes for a comedy. Necks are snapped, blood goes everywhere, and it riffs on torture/interrogation scenes. Justin Theroux excels as a super spy, and you have to wonder why he hasn’t taken on more parts like this. The action beats are surprisingly good too, with fantastic use of practical effects and stunts. Its testament to director Susanna Fogel, that this film would work as a solid action film if all the jokes were taking out.

Thankfully though, the jokes haven’t been taken out. The formula here is simple, take a generic action movie and drop Kate McKinnon into the middle of it. She squeezes every scene, every line, for comedic potential. Her blend of surreal, weird humour contrasting incredibly well against the darker more serious moments of the plot. She has great chemistry with Mila Kunis too, and together they create a relationship which is wholly believable. As the film goes on, the women become more empowered, and get to kick some ass themselves, but it’s great to see them empowering each other. They lift each other up constantly, and show true solidarity.

To sum up, The Spy Who Dumped Me was an unexpected joy. It was darker then I expected, and leant into the violent aspects of the genre way more. It was also funnier than I expected, with some real laugh out loud moments. The star turn here is Kate McKinnon who all but steals every scene of the film. There’s a great cameo by Gillian Anderson too, which again McKinnon milks for all that it’s worth. Stay for the end credits though, you won’t regret it.

7/10

Mission: Impossible – Fallout

2018, Uncategorized

Dir. Christopher McQuarrie

Starring: Tom Cruise, Henry Cavill, Rebecca Ferguson, Simon Pegg, Ving Rhames, Vanessa Kirby, Angela Bassett, Alec Baldwin, and Sean Harris.

Your mission, should you choose to accept it is to try and watch Mission: Impossible – Fallout without your draw hitting the floor. I’ve always had a soft spot for the Mission films, I loved the first one when I was young, and even though it’s not as good, M:I 2 was one of he first films I owned on VHS. That film almost sank the franchise, until JJ Abrams reimagined it, and since then the franchise has gone from strength to strength, even if the press around Tom Cruise’s stunt work sometimes overshadows the actual movies. In a series first, Christopher McQuarrie returns to direct Fallout after adding his own flavour of old school espionage to Rouge Nation.

Fallout follows Cruise’s Ethan Hunt and his rag tag team of IMF agents. After, sacrificing 3 balls of plutonium in order to save the lives of his team, Cruise is forced by CIA head Angela Bassett to team up with CIA thug Henry Cavill to go and retrieve it. Cavil is there to babysit Cruise, and to make sure the mission goes off without a hitch. This proves to be difficult as differing motivations come into play, and the ghosts of Ethan Hunt’s past come back to haunt him.

Sometimes a band will release a couple of albums that are good, but don’t quite work. Each album exploring different musical styles and approaches. Then they will create an album where all of these experimentations coalesce in a way that makes complete sense of what came before. Fallout is that album. It plays like a greatest hits of all that came before, whilst tying everything together in an engaging story. It’s the best Mission Impossible film to date. McQuarrie blends the tension of the first film, the emotional characterisation of the third, and the outrageous stunts of the fourth and fifth film together to create a more than satisfying whole. It’s an adrenaline rush that I haven’t experienced since Mad Max: Fury Road.

Usually with Mission Impossible films you have to talk about the showstopper. The stunt which is getting all the press. In Fallout there are at least four showstoppers. Action set pieces so well put together, you can’t believe what you’re seeing, and made all the more unbelievable by the fact that most of them are done in camera, not against a green screen. Each showstopper offers something different as well, they aren’t just variations on the same stunt. We get skydiving, bike chases, helicopter chases, and the usual M:I special effect of Tom Cruise running. They are all mind blowing. Tom Cruise’s commitment to getting the shot is outstanding, and you’d have to argue that he is now the greatest ever action star to have graced our screens. McQuarrie stages his set pieces against back drops of Paris, London, and mountain ranges to glorious effect. The film looks amazing, and is a complete joy to behold.

McQuarrie had talked about approaching this film in a different way to how he approached Rouge Nation, aware of the fact that each film before had a different director, and a different flavour, he wanted to continue that trend even though he was returning to direct. He succeeds here by blending the jaw-dropping action with the most character driven story to date. Fallout delves into the heart of who Ethan Hunt is, and by pairing him with Henry Cavill, described as the CIA’s hammer compared to Hunt as the scalpel, we see what makes Hunt tick, and that is his desire to save the world with as little civilian casualties as possible. Cruise and McQuarrie play with the idea that Hunt is haunted by every life he thinks he could have saved, and is prepared to sacrifice his own happiness and own life to save just one more person. It’s a great personal battle that plays out on an epic scope; it’s not coincidence that Hunt receives his mission this time in a copy of Homer’s Odyssey.

The best Mission: Impossible film so far, in a series which keeps going from strength to strength. The combination of Cruise and McQuarrie continues to be a potent one, and with great supporting turns from Henry Cavill and Rebecca Ferguson, this may just turn out to be the blockbuster of the summer. The action is spectacular and the story more than keeps up with it. For me this cements Cruises place as the greatest action star ever.

10/10

Hotel Artemis

2018, Uncategorized

Dir. Drew Pearce

Starring: Jodie Foster, Dave Bautista, Sterling K. Brown, Charlie Day, Zachary Quinto, Sofia Boutella, Jeff Goldblum, Brian Tyree Henry, Jenny Slate, and Kenneth Choi

The elephant in the room with Hotel Artemis, is that you spend the movie waiting for it to tie into the John Wick universe. It doesn’t happen. It’s an original story, but,it’s setting is awfully familiar to those Keanu films, which can rob the film of some thrills. Director/writer Drew Pearce had this idea in mind before John Wick came out, but timing is everything. Drew Pearce is a writer best known for his work on Iron Man 3 and Mission: Impossible – Rouge Nation, and is stepping behind the camera here to direct his first feature. He’s assembled a fantastic cast, and directs from a script he has written himself.

Hotel Artemis is hotel for criminals. In a future L.A. Two brothers, Sterling K. Brown and Brian Tyree Henry, retreat to the hotel after a robbery gone wrong during a riot. They are both injured, and the hotel acts as a hospital for criminals. Somewhere where they can get patched up without worrying about cops, or other criminals due to the Hotel’s strict rules. On duty are the unlikely pairing of Jodie Foster’s Nurse, and Dave Bautista’s Orderly. Their job is to patch people up and make sure no one breaks the rules, but with the discovery of an injured cop, and the imminent arrival of the hotels owner, they may have to break some of the rules themselves.

Criminal underworld with its own mythology, a hotel filled with assassins who have to obey rules not to kill anyone, and some fantastic hand to hand combat fight scenes. It’s easy to see where those John Wick comparisons lie. There are plenty of interesting and fun ideas to explore here, but they’ve all been bought up in the John Wick films. It’s a shame, because otherwise we would be talking about an incredibly original new film. That aside though, this film is a real blast from start to finish, and that’s mainly down to a fantastic script from Drew Pearce. It’s fast paced, and funny. Subverting the genre in interesting ways, whilst leaning on tropes in others. It’s by far the coolest movie of the year; the film looks fantastic, a decaying hotel filled with well dressed cons, the dialogue is sharp, and the soundtrack is fantastic.

The cast are uniformly great, and it’s awesome to see Jodie a Foster take on this role, something we’re not used to seeing her do. Dave Bautista is amazing fun, proving again that there’s a lot more to him than Drax from Guardians Of The Galaxy, and Sterling K. Brown fills the leading man role nicely. It’s also nice to see Sofia Boutella bouncing back after the disaster that was The Mummy. Pearce fits a lot of story into a relatively short run time, and makes efficient use of his one location. If the dialogue is the centrepiece for most of the movie, the bulk of the action is saved for the climax, and it doesn’t disappoint.

Pearce has crafted a uniquely cool picture, it’s just a shame that the most fascinating aspect of his script has already been done in other movies. It’s still a really fun film, but you can’t help but wonder if you’d have enjoyed it more if it was the first time you’d been introduced to the main concept.

7/10

Skyscraper

2018, Uncategorized

Dir. Rawson Marshall Thurber

Starring: Dwayne Johnson, Neve Campbell, Chin Han, Roland Møller, Noah Taylor, Byron Mann, Pablo Schrieber, McKenna Roberts, and Noah Cottrell.

 

It’s the summer, and that means The Rock has got to get to work. Starring in his third big budget movie of the year after Jumanji (released late last year in some territories), and Rampage, we now have Skyscraper. Teaming up with his Central Intelligence director Rawson Marshall Thurber. Thurber is venturing into unknown territory here, after whetting his action appetite on Central Intelligence he has throw himself head first into the genre here.

Business man Zhao Long Ji, played by Chin Han, has built the worlds largest Skyscraper. It dwarfs every other building in the world housing shops, living quarters, a multi-storey park, and topped off with a mysterious pearl that acts as the penthouse. Dwayne Johnson’s Will Sawyer is the paraplegic security assessor bought in to assess the building and sing off for the insurers. He is given remote access to all the security features via a tablet device, which is soon stolen from him as mobsters attack the building in an attempt to get access to the pearl. They set fire to the building with Sawyers family inside, leaving him to mount a rescue attempt.

Skyscraper aims for a mix of Jurassic Park and Die Hard, and fails to come close to either. The tone is off from the start. The stakes never feeling real enough to be classed as a full on action movie, and the jokes not funny enough to make the film an action comedy. It doesn’t parody the tropes of disaster movies, more lazily follows them. In fact that’s what sums the film up the most; it’s lazy. It goes through its generic plot, with its generic villains, and its generic set pieces competently enough, but never anything more than competent.

I saw this film in 2D, and whilst I have heard that the 3D version is more vertical inducing, the version I saw looked awful. The look of the film is bright and cheap. The special effects look under cooked. It carries on the theme of this film of things being lazy. They’ve given The Rock a prosthetic leg, and besides using it in a couple of set pieces, little mention is made of it. Where some would have used his accident at the beginning of the film as a psychological block for him to overcome, in Skyscraper it doesn’t matter, because Will Sawyer isn’t a character, he is just The Rock; an all star action hero, a walking bottle of charisma.

Dwayne Johnson is probably the saving grace of the movie, although you kind of feel that they missed what made Die Hard such a classic when he was cast. Bruce Willis is the every man, and the jokes work because he’s actively pissed off at the situation he’s in. Here, Johnson just gets on with the action. He’s charisma pulls him through, but it’s also a lazy performance from him. The Rock is currently the most bankable film stars around, but he needs to stop making this type of disposable action trash.

Neither a great action movie, or a funny comedy. Well, at least not intentionally funny. It’s worth a watch for fans of Dwayne Johnson, who is never less than watchable, but is also one of the laziest, by the numbers movies of the summer.

5/10

Ocean’s Eight

2018, Uncategorized

Dir. Gary Ross

Starring: Sandra Bullock, Cate Blanchett, Rihanna, Helena Bonham-Carter, Sarah Paulson, Anne Hathaway, Mindy Kaling, Awkwafina

Ocean’s 8 is a spin-off/side-quel to Steven Soderbergh’s Ocean’s trilogy, which itself was a remake of the rat pack starring Ocean’s 11. The twist here though is that the format is given a feminine spin with an all female cast. Oddly this didn’t receive the same amount of backlash as the all female Ghostbusters, which either shows that fans have finally grown up, or that they just don’t care. There’s an argument to be made that a female director would have also bought a new eye to the franchise, but Gary Ross is a fitting enough choice after shepherding the first Hunger Games movie, and turning Katniss Everdeen into an icon of female empowerment. Here he has assembled a starry enough cast to rival the Clooney/Pitt era, as he mounts a new heist.

Debbie Ocean, sister of George Clooney’s Danny Ocean and played by Sandra Bullock, has just gotten out of prison. She’s spent her time there planning the heist of the century: to steal one of the most expensive necklaces in the world. She assembles a crack team of females to help her pull it off, including her best friend (Cate Blanchett), clothes designer (Helena Bonham-Carter), Fence (Sarah Paulson), hacker (Rihanna), pick-pocket (Awkwafina), jewellery expert (Mindy Kaling) and… I’ll leave the eighth member of the team as a surprise. Their plan is to infiltrate the MET Gala and steal the jewels off of movie star Daphne Kluger’s (Anne Hathaway) neck.

In a summer full of moon hurling titans, and exploding Skyscrapers, Ocean’s Eight is a breath of fresh air, a throw back to the time when the biggest draw to the cinema was the star wattage, and the chemistry between those stars, and these stars definitely have chemistry. You buy from minute one that Sandra Bullock and Cate Blanchett are friends, they play well off each other, they’re effortlessly cool, and they have charm to spare. It’s the kind of film where you could pick any actress and say they stole the film, and that’s because they’re all served well by the script, they are all given something to do, and they are all given their moment to shine, without overpowering the rest. Helena Bonham-Carter steals the show as an Irish fashion designer, Rihanna steals the show as a no nonsense hacker, Sarah Paulson steals the show by being her usual fabulous self, Awkwafina steals the show whilst providing plenty of laughs, Mindy Kaling is hilarious and steals the show with her screentime, and Anne Hathaway steals the show as the self-absorbed diva. They’re all fantastic.

Gary Ross marshals them with confidence, but apart from the revolutionary act of casting women, he does little else to reinvent the wheel. This is a heist movie, pure and simple, and it leans into all the familiar tropes. The craziest things is that it works. The movie is a breezy piece of summer fun, it’s so cute easy to get caught up in the charm and swagger that you forget to look for the numerous plot holes. The biggest being the reveal of the eighth member of the team. It’s a little too convenient, and a lot too implausible. Oceans 8 portrays itself as a feminist movie through and through, which would be fine if the plot didn’t revolve around getting revenge on a man. It’s great as a sisters doing it for themselves movie without this added piece of baggage.

We also need to talk about the James Corden in the room. I like James Corden, and I found him really entertaining in this film, but his appearance almost took me out of the film completely. I couldn’t help but feel that it was almost a sketch of him parodying a heist movie, although it did get me thinking of a Pink Panther remake with Corden as the star. He is fine, but incredibly distracting.

Ocean’s 8 is a perfect summer film. Cruising along delightfully on the charisma and charm of its stars, this is the kind of film that audiences used to flock to. A proper summer blockbuster powered by star wattage. It had the remit to be something more, the #metoo movie, but it sidesteps gender politics to deliver pure popcorn entertainment, and there’s nothing wrong with that.

7/10