Dir. Johannes Roberts
Starring: Christina Hendricks, Bailee Madison, Martin Henderson, and Lewis Pullman.
Whilst the beginning of the film professes that the following movie is based on a true story, if you do a bit of digging the true story bit relates to someone knocking on a door to see if anyone’s home in order to burgle empty houses. The Strangers: Prey At Night is a sequel to The Strangers, although the connective tissue is that the same killers are used, there’s no real story through line, and you could watch this without ever having heard of the original. Original director Bryan Bertino is gone, and incoming director Johannes Roberts directs from a script based on Bertino’s original screenplay. Roberts is best known for low budget flick 47 Metres Down which became a break out hit.
The Strangers: Prey At Night follows a family of four, as they make a journey across America to drop their young, troubled daughter, Bailee Madison, off at boarding school. They have arranged to stay at Christina Hendricks’ Uncles holiday trailer park along the way. They arrive at night to find the park deserted, but with keys left on the office desk. As family tensions build, they are soon interrupted by a team of three masked killers, who without motivation want to toy with and then kill the family. What transpires is a fight to survive the night.
I have to admit, I had one of the most unsettling cinema experiences whilst watching this film. I went to an early morning screening, and sat dead centre, four rows from the front. I was the only person in the screening. About half way I through I found myself looking behind my shoulder, checking there was no one behind me. I guess this shows that if nothing else the film was working, it was unnerving me. If the first film was a tense home invasion thriller, than Prey At Night is a homage to the slasher films of the 80’s. Think Friday 13th mixed with The Purge and you’ll have some idea of the tone of this film.
There is nothing new here. It’s a deeply unoriginal film, but it also manages to be quite fun. The use of 80’s pop ballads is as toe-tapping as it is chilling. The cast all do really well with the material they are given. Especially the youngsters Bailee Madison and Lewis Pullman. They give you just enough to root for them, even if their characters are thinly drawn. Madison, in particular, does well. Her characters back story is hinted at, but it’s never really explained. There’s an inciting incident that sent the family on the trip, that we are told she’s responsible for, but we are never told what it was.
At 86 minutes, this is a fast thrill of a movie, and the short length is a real benefit. Parts of the film reminded me of director Adam Wingard, and his writing partner Simon Barrett. There films You’re Next, and The Guest, are similar as they both take a lot of inspiration from John Carpenter and Wes Craven, but they also smartly subvert some of the tropes, and it would have been nice to have seen that level of intelligence on display here.
What we get is an effective homage to 80’s slashers, that adds nothing new to the genre. It’s well enough put together, and there is fun to be had, but it’s unoriginality leaves it lacking.