A Wrinkle In Time

2018, Uncategorized

Dir. Ava DuVernay

Starring: Storm Reid, Levi Miller, Deric McCabe, Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Chris Pine, Zach Galifianakis, Michael Peña, and Gugu Mbatha-Raw.

Ava DuVernay is one of the leading lights in American film making. Blazing a trail for both people of colour and for female filmmakers. Her output is usually politically charged, having directed both Selma, and the documentary feature 13th. The later of which won the academy award for best documentary with its exploration of the incarceration of African-American men in America. It’s somewhat of a surprise then that her next feature is a Disney movie primarily aimed at kids. It’s clear though that Ava had a vision for this movie, and that there was a story here that she wanted to tell. She turned down countless other big budget movies, including Black Panther, but with A Wrinkle In Time she became the first African-American woman to helm a film with a budget over $100 million.

A Wrinkle In Time follows the story of Meg, a brilliant Storm Reid, who has become despondent ever since the disappearance of her father, Chris Pine, four years ago. She lives with her Mum and younger adopted brother Charles Wallace. She gets into fights at school, and her grades are starting to slip. We’re told that she used to be a top student, and her brother tells her she’s got more potential than anybody. When her brother introduces her to Mrs Which, Mrs Who and Mrs Whatsit, she finds out that her father had managed to wrinkle space time, allowing him to travel through the universe instantaneously. He’s now been captured by a terrible evil, and it’ll be up to Meg, Charles Wallace and their friend Calvin to rescue him.

The buzz going into this film was mixed. I don’t understand that, I loved this movie. Disney release one of these every year, a big budget movie which isn’t based on an existing franchise, we’ve had The Lone Ranger, and Tomorrowland, and now we’ve got A Wrinkle In Time. They struggle to find their audience, but are some of the most interesting films Disney release. There’s a part in the film where Chris Pine talks about finding the right frequency to wrinkle space time, maybe you had to find the right frequency to really appreciate this movie, because for me it resonates loudly. If you thought that Ava was leaving the politics at the child friendly door, don’t worry, she doesn’t hit you over the head with it, but there’s a message which runs throughout the movie.

The casting alone sends a clear message, Ava is about diversity, and giving opportunities both in front of and behind the camera. The choice of a bi-racial lead isn’t just a token gesture, it becomes the crux of the movie. This is a film about a young girl who doesn’t love herself, doesn’t believe in herself, and that message is reinforced by everyone around her. When Calvin tells her he likes her hair and she says that he doesn’t, it means something. It’s backed up later when she faces the version of herself she wishes she was, and that version has straightened hair. The film is about fighting conformity, and Ava makes it clear that this is of upmost importance to those who are told that the way they naturally look isn’t right, or isn’t beautiful.

The film looks fantastic as well. It’s clear that this is a singular vision of this story. The vistas of the alien planets are gorgeous to behold, and the way the world is built is ingenious. It’s unlike anything DuVernay has done before and she proves herself equal to the task. The rush you get when seeing this world is something I haven’t felt since Avatar. It’s also an incredibly emotional movie. There’s an emotional note which is hit from the very first scene, and it sounds throughout the whole film, getting louder and louder until you can’t hold back the tears. It delivers the most emotionally satisfying climax to a film this year. The cast are all brilliant, especially the three young leads. Storm Reid is a future superstar, and Deric McCabe is immensely enjoyable.

If there’s any faults with the film, it may be in the structure of the story. The first two acts are spent being transported from place to place, with a lot of exposition. It isn’t until the third act that Meg is afforded any agency, which might be a problem for some, but is kind of the point of the film. It’s about a young girl finding her agency. The messages in this film are all beautifully delivered, about loving yourself, your faults, your differences, and building up those around you. It’s about love in the purest form, which may sound saccharine but it’s anything but.

Overall, A Wrinkle In Time is a film not to be missed. If you have a young child, I implore you to take them to see it. They’ll be awed at the world created, but they’ll also learn some important lessons along the way. Ava DuVernay continues to blaze a trail, and I can’t wait to see what she does next, and to see what those who follow her come up with.

9/10

The Cloverfield Paradox

2018, Uncategorized

Dir. Julius Onah

Starring: Gugu Mbatha-Raw, David Oyelowo, Daniel Brühl, John Ortiz, Chris O’Dowd, Ziyi Zhang, Elizabeth Debicki, Roger Davies, Aksel Hennie.

There’s a lot of conversation to be had around The Cloverfield Paradox. In terms of following previous Cloverfield methods in distribution it fits right in. Cloverfield started life as just a poster, before adding its title closer to the release date. 10 Cloverfield Lane was a surprise sequel which was filmed secretly and announced only a couple of months before release. So it seems with the third movie they’ve achieve their ultimate goal, a Super Bowl spot which announced the film dropping on Netflix immediately after the game. The element of suprise is an interesting marketing campaign. There’s also a discussion about the worrying trend of studios dumping movies they’re worried about onto Netflix. I’d have been disappointed if 10 Cloverfield Lane had been released straight to Netflix as I’d have been deprived a really great cinema experience. These are all interesting discussions, but what about the actual film?

The Cloverfield Paradox is set in a world of diminishing energy resources. In an attempt to stop the world breaking out into war, a crew of astronauts and scientists are sent into space with a particle accelerator. The idea being that if they can get it to work they will be able to create a renewable energy source which will bring enough energy to everyone, but they have to do it in space as it is too dangerous to experiment with on earth. Our main protagonist is Hamilton, played by Gugu Mbatha-Raw, a communications officer who is using the mission as an opportunity to heal/find some redemption for the accidental death of her children, whilst leaving her partner Michael, played by Roger Davies, on earth. When the crew finally have a successful collision, something goes wrong, and that’s when the weird stuff starts to happen.

Imagine you are at a bar ordering a drink, you decide to make you’re own cocktail, so you take an ingredient from all your favourite drinks in the menu, shake them up, and serve. You take one sip, and spit it out. It tastes awful. That’s The Cloverfield Paradox. Combining elements of Alien, Solaris, Event Horizon, Moon, Gravity, Interstellar, and even Armageddon, it creates a mix which is so far below the sum of its parts, you can’t believe how bad it is. Clichéd is one word for it, paint by numbers is another. It takes what would have been a really interesting idea, and just throws tropes at it. It’s adequately enough directed and acted, but the screenplay is awful. One dimensional characters just going through the motions. People complained that the scientist in Prometheus were dumb. They look like Nobel Prize winners next to this group. At one point the communications officer tells the group that they aren’t receiving any signals, and they can’t contact home base on earth. The next thing she does is run into her own room to try and contact her partner. Why would she even think this would work? Why is she distressed when it doesn’t? She’s the one in charge of this. It’s a dumb movie. Things go weird for seemingly no reason. Yes, some of it can be explained, but a lot of the set pieces make no logical sense at all. Even the plot line of we turned the particle accelerator on to get us in this mess, let’s turn it on again to get us out, is just stupidity on a massive scale. You’re supposed to be scientists.

The other big problem with this film is in the way in which it ties into the Cloverfield universe. 10 Cloverfield Lane, was a really good suspense thriller, which contained little nods to the Cloverfield universe, and then tied it in smartly with the first movie at the end. This positioned the Cloverfield universe as more of an anthology series, different varieties of genre movies, which may or may not be set in the same universe. The Cloverfield Paradox looks and feels like the main cast didn’t even know they were making a Cloverfield movie. Most of the connections come from Michael, who is left on earth, and these scenes feel so disconnected from the rest of the movie, and ultimately serve no goal. It’s a disjointed film, which even at its short running time is poorly paced.

I’m all for a Cloverfield shared universe, even if it’s just a smart way to market good movies which might otherwise get missed. I just don’t think this is the way to go. The connections feel forced and heavy handed. The focus shifts from telling a good story to joining up the dots. It robs the movie of any real pay off. It’s a shame because the film contains elements of films I really love, this mix though is really boring.

3/10