Avengers: Infinity War

2018, Uncategorized

*I have tried my best to avoid spoilers In is review, but would recommend seeing the film first before reading if you want to go in knowing nothing*

Dir. Anthony and Joe Russo

Starring: Robert Downey Jr., Chris Hemsworth, Chris Evans, Chris Pratt, Josh Brolin, Scarlett Johansson, Zoe Saldana, Mark Ruffalo, Don Cheadle, Chadwick Boseman, Benedict Cumberbatch, Tom Holland, Benedict Wong, Anthony Mackie, Karen Gillan, Paul Bettany, Elizabeth Olsen, Sebastian Stan, Danai Gurira, Dave Bautista, and Pom Klementief.

Well, this is it. The beginning of the end. It’s a journey that started 10 years ago with Iron Man, and has since grown into the box office behemoth that is the Marvel Cinematic Universe. We’ve seen Earth’s mightiest heroes team up in Avengers, we’ve been to space for some cosmic adventures in Guardians Of The Galaxy and Thor, and most recently we’ve been invited into the amazing world of Wakanda in Black Panther. Here, they all combine to take on their biggest foe to date, Thanos. The big bad that has been drip fed through the whole series. We know that we still have Ant-Man and The Wasp, and Captain Marvel to come before Avengers 4 brings phase three of the MCU to a close, but this feels monumental nonetheless. Going into the movie it felt like the stakes had never been higher, as there was a real sense that anything could happen. We had entered the end game.

Infinity War follows Thanos. An 8ft, ripped, purple alien born on Titan. Thanos is hell bent on balancing the universe. To him, this means invading planets and killing half of the population residing on them. His ultimate goal is to kill half the universe, and to do this he needs to collect together the infinity stones. 6 stones from the beginning of the universe which when united together give the holder unlimited power. Two of these Infinity stones are on Earth. One is the time stone which is in the possession of a Doctor Strange, and the other is the mind stone which is nestled in Vision’s forehead. Thanos sends his most trusted minions to Earth to retrieve these two stones, whilst he sets out in the universe to find the others. Standing in Thanos’ way are the Avengers, last seen fighting each other in Captain America: Civil War, the Guardians of The Galaxy, Spider-man, Doctor Strange, and the people of Wakanda.

The scale of this movie is huge. It’s ambition is unmatched in the modern day blockbuster. Just looking at the cast list alone is enough to make the jaw drop. Fittingly the Russo brothers decided to film Infinity War entirely on IMAX cameras, and I was lucky enough to see it on an IMAX screen. It truly is mesmerising. Thanos looks huge on screen, and the size adds an extra bit of weight to the action unfolding in front of you. This is event cinema, and considering we get about three MCU movies a year, that is quite a feat. For the film to work, the stakes had to feel real, and for the stakes to feel real the audience had to believe in Thanos. We’ve seen glimpses of him before in Post-credit scenes and GOTG, but these fleeting appearances never gave across the sense that this was a villain to be reckoned with, so it was a bold move when writers Christopher Markus and Stephen McFeely declared that he was to be the main character for Infinity War, even bolder considering that he is entirely CGI. The character is so richly written though, and Josh Brolin plays him so brilliantly, he easily owns the movie. From the opening sequence he is imbued with a sense of weight and gravitas which has previously been lacking, setting up the darkest MCU movie thus far.

Infinity War could have ended up as a complete mess, or just a collection of five minute scenes that give each character their due, but doesn’t hold together as a film. The fact that the fine balance has been expertly walked between story and character is testament to the skills of both the writers and directors. It’s a far from simple plot, with many strands, but it all works, and every character is given their moment to shine. The character interaction is spot on too. It’s rumoured that James Gunn came on to write all the dialogue for the Guardians, and if that’s true, it’s a smart decision and works fantastically. These characters feel like the characters you know and love from their separate movies, and finds joy in watching them interact. If this is the darkest MCU movie, it still remains laugh out loud funny. It’s smart as well that the original avengers get their own little teams to lead, without spoiling it, Thor, Cap, and Iron Man are mostly kept separate, each leading their own story thread. It means that we aren’t watching a rerun of what’s come before, they are mostly with characters they’ve not met before which keeps it fresh. Best is watching Chris Pratt’s Star Lord, trying to macho it up against Thor.

If this is the biggest MCU movie in terms of characters, it’s all the biggest I terms of spectacle. The action is stunning. It’s worth the extra to see it in IMAX, or the biggest screen you can find. The Russo’s continue to manage to make the action dynamic, funny, and ingenious whilst including some great character beats. They get the escalation right too, for a film which breaks into fights almost every 20 minutes, by the time you get to the climatic battle, it still feels big, and manages to hit the emotional beats hard. I felt like the climax of Black Panther was a little underwhelming, and it seems they may have been holding it back a little for the climax of this film. If the film does go in directions that you don’t always expect, and it’s a long watch, it is also completely satisfying. I walked out of the screening numb, I’m going to have to see it again just to completely absorb it.

Infinity War delivers in spades. If this is part one of the end. I can’t wait for Part Two. There are so many ways in which this film could have been rubbish, but it’s just not. If you don’t like previous MCU movies this isn’t for you, if you like the MCU you’re going to love it. There are more spoilerific discussions to come, but for now, it’s a towering achievement. I loved it.

10/10

Isle Of Dogs

2018, Uncategorized

Dir. Wes Anderson

Starring: Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban, Bill Murray, Jeff Goldblum, Kunichi Nomura, Greta Gerwig, Frances McDormand, Akira Ito, and Scarlett Johansson.

It seems almost trite these days to describe yourself as a Wes Anderson fan. The director moved from cult hero into the mainstream with his last movie The Grand Budapest Hotel. The director is almost a genre unto himself now, his films defined by their unique visual style, dead pan delivery of dialogue, and Anderson’s ever expanding troupe of actors. Isle Of Dogs isn’t the first stop-motion animation Anderson has made either, his last one being Fantastic Mr. Fox. For any other director these films would be experiments, or oddities in their CV, but Anderson’s sensibilities lend themselves to the format.

Isle Of Dogs is set in a futuristic, fictionalised version of Japan. An outbreak of dog flu, which is threatening the human population, forces Mayor Kobayashi to exile all the dogs to Trash Island. The place where all the cities garbage goes. The first dog to head over is Spot, the Mayor’s Nephew’s Dog. His Nephew, Atari then steals a plane to fly to Trash Island to rescue his dog, being helped along the way by a pack of alpha dogs.

This movie is a complete joy. I was slightly sceptical going in, I wasn’t sure how much I would get out of the format, or if Anderson would skew too young to hold my attention. I shouldn’t have worried, I was in a safe pair of hands, and the film is captivating and engaging throughout. It feels odd to say, but I believe that this is a film that deserves to be seen on the big screen. The level of detail gone into creating this world is stunning, and the film looks gorgeous. Wes Anderson directs his live action films as if they exist in a dolls house, and this style with way in which depth is used, and the way the camera moves in his film, is an ideal match for stop-motion. If anything it expands Anderson’s vision, allowing him to make a film more epic in scope.

It’s primarily a kids film, but there is a deeper, darker heart to it. It has an emotional core that you’d expect from a film about a boy looking for his lost dog, and whilst the dead pan delivery of Anderson’s cast doesn’t immediately lend itself to cutting straight to the heart, Anderson has crafted a deeply moving film about love, belonging and loyalty. There is darkness here though, which is far from cookie cutter. There are themes of genocide, conformity, and political manipulation, which when paired with the history of Japan brings out a deeper meaning. The kids might not understand it, but there is more going on under the surface of this film than it first appears. It’s this darkness which robs the film of its charm in the final act of the movie. The jokes and humour give way to something more serious, slowing down the pace, and ultimately causing it to drag.

There has been some debate about the film regarding Orientalism. It didn’t bother me at the time of watching, but the more I think about it, there is something there . There is a lot of affectionate homage, and this is a fictionalised Japan which does mean liberties are taken. If there are controversial moments, they hold no intent. There are two creative decisions which grate the most. The first is the fact that unless someone is there to translate, the Japanese language goes unheard and ignored. If they could put subtitles down for signs, they could have put subtitles for the Japanese, it’s a cute creative decision to have other characters translate the news segments, but it turns the other moments the language is used into meaningless nothing. Making it a secondary language. The other element which grated was Greta Gerwig’s foreign exchange student. In a film full of Japanese figures, having the only white one become the leader of the resistance is a bit of a problem.

Isle Of Dog’s is another great movie from Wes Anderson. It’s lovingly made, and looks fantastic. It manages to be both funny and moving, whilst riffing on some more adult themes. The politics might be a bit off, but I don’t believe there was any intent to offend. It’s just a bit blinkered. If you’d like to know more about this check out this article https://www.buzzfeed.com/alisonwillmore/isle-of-dogs-jared-leto-orientalism?utm_term=.uf19MBb7O#.tvvplm36j

7/10